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The film starred Al Jolson and was a follow-up to his previous film, Say It with Songs (1929). Mammy became Al Jolson's fourth feature, following earlier screen efforts as The Jazz Singer (1927), The Singing Fool (1928) and Say It with Songs (1929). The film relives Jolson's early years as a minstrel man.
Jolson's last Warner vehicle was The Singing Kid (1936), a parody of Jolson's stage persona (he plays a character named Al Jackson) in which he mocks his stage histrionics and taste for "mammy" songs — the latter via a number by E. Y. Harburg and Harold Arlen titled "I Love to Singa", and a comedy sequence with Jolson doggedly trying to sing ...
While Jolson was touring with a stage show during June 1927, production on The Jazz Singer began with the shooting of exterior scenes by the second unit. In late June, Alan Crosland headed to New York City to shoot the Lower East Side and Winter Garden exteriors on location. Jolson joined the production in mid-July (his contract specified July 11).
"My Mammy" is an American popular song with music by Walter Donaldson and lyrics by Joe Young and Sam M. Lewis. Though associated with Al Jolson, who performed the song very successfully, "My Mammy" was performed first in 1918 by William Frawley (later to become famous on I Love Lucy) as a vaudeville act. [1]
Perhaps their most familiar screen appearances are in Al Jolson's The Singing Kid (1936), in which the four outspoken comics persistently try to keep Jolson from singing outdated "mammy songs;" [1] and the collegiate musical Pigskin Parade (1936), in which they perform their specialties at college rallies.
The Jolson Story is a 1946 American biographical musical film, a highly fictionalized account of the life of singer Al Jolson.It stars Larry Parks as Jolson, Evelyn Keyes as Julie Benson (approximating Jolson's wife, Ruby Keeler), William Demarest as his performing partner and manager, Ludwig Donath and Tamara Shayne as his parents, and Scotty Beckett as the young Jolson.
The famously private Scarface actor — who titled the book after the childhood nickname his mother, Rose, gave him from the Al Jolson song of the same name — says he wanted to leave a record ...
In 1930, Curtiz directed Mammy (1930), Al Jolson's fourth film after being in Hollywood's first true talking picture, The Jazz Singer (1927). During the 1930s, Curtiz directed at least four films each year.