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Edmond Malone was the first scholar to construct a tentative chronology of Shakespeare's plays in An Attempt to Ascertain the Order in Which the Plays attributed to Shakspeare were Written (1778), an essay published in the second edition of Samuel Johnson and George Steevens's The Plays of William Shakespeare.
The main source is the chronology provided by the International Shaw Society. [1] Items not covered by the chronology are separately cited. Items marked ‡ are works published anonymously by or for the Fabian Society , where Shaw's authorship was later confirmed by the Society.
This was most likely Shakespeare's play. There is no immediately obvious alternative candidate. (While the story of Julius Caesar was dramatised repeatedly in the Elizabethan/Jacobean period, none of the other plays known are as good a match with Platter's description as Shakespeare's play.) [4] Summary
While there is much dispute about the exact chronology of Shakespeare's plays, there is a general consensus that stylistic groupings largely reflect a chronology of three-phases: Histories and comedies – Shakespeare's earliest plays tended to be adaptations of other playwrights' works and employed blank verse and little variation in rhythm.
Thomas Heywood's two-part play The Iron Age also depicts the Trojan War and the story of Troilus and Cressida, but it is not certain whether his or Shakespeare's play was written first. [18] In addition, Thomas Dekker and Henry Chettle wrote a play called Troilus and Cressida at around the same time as Shakespeare, but this play survives only ...
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Three of Timon's servants are named characters: Flaminius, Lucilius and Servilius. (See their separate entries.) They may, or may not, have been intended to be doubled with the un-named servants mentioned in the play. The play may contain other supernumerary servants, depending upon how parts are doubled in performance.
The above tables exclude Shakespeare's Titus Andronicus (composed c. 1589, revised c. 1593), which is not closely based on Roman history or legend but which, it has been suggested, may have been written in reply to Marlowe's Dido, Queene of Carthage, Marlowe's play presenting an idealised picture of Rome's origins, Shakespeare's "a terrible ...