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"Boots" imagines the repetitive thoughts of a British Army infantryman marching in South Africa during the Second Boer War. It has been suggested for the first four words of each line to be read slowly, at a rate of two words per second, to match with the cadence, or rhythm of a foot soldier marching.
Dilwale Dulhania Le Jayenge (transl. The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra.
That Girl in Yellow Boots is a 2010 Indian thriller film by director Anurag Kashyap, starring Kalki Koechlin and Naseeruddin Shah. [3] The film was first screened at the Toronto International Film Festival [4] in September 2010, followed by the Venice Film Festival [5] [6] after it played in several festivals worldwide including the South Asian International Film Festival. [7]
"Go away kitten" (as the sound of sneezing is said to sound like a cat's cough) Хвала Less frequently: Истина or Здравље да имаш "Thank you" Less frequently: "It is true" or "Health you have" Silesian: Pyrsk! "Cheers" Unknown Sinhala: ආයුබෝවන් (Ayubowan) "Have a long life" Thank you "Thank you" Slovak: Na ...
[b] The driver walks away after leaving Letty's cross necklace by the crash, and calls Dom, saying: "You don't know me, but you're about to", as Han's car explodes. The Hangover Part III: The morning after Alan's wedding, we see Phil waking up groggily in an absolutely trashed bedroom with Alan and Cassie.
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The music video shows Neil leaving New York City to join his bandmates in Los Angeles for rehearsal. Produced by Sharon Oreck through O Pictures, "Don't Go Away Mad" is the second of two Crüe videos to be directed by Mary Lambert [6] under the alias "Blanche White" [7] ("blanche" meaning "white" in French).
"Boots of Spanish Leather" ranked 19th in a Paste list of "The 42 Best Bob Dylan Songs". In an article accompanying the list, critic Cameron Wade notes that in "just four-and-a-half minutes, Dylan creates two richly layered and dynamic characters, each reckoning with the messy emotions of young love coming to an end" and calls it "Dylan at his most open and vulnerable—a rare sight for the ...