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Adversus Judaeos (Ancient Greek: Κατὰ Ἰουδαίων Kata Ioudaiōn, "against the Jews") are a series of fourth century homilies by Saint John Chrysostom directed to members of the church of Antioch of his time, who continued to observe Jewish feasts and fasts.
The Penance of St. John Chrysostom. Engraving by Lucas Cranach the Elder, 1509. The saint can be seen in the background on all fours, while the princess and their baby dominate the foreground. A late medieval legend relates that, when John Chrysostom was a hermit in the desert, he was approached by a royal princess in distress.
The Paschal homily or sermon (also known in Greek as Hieratikon or as the Catechetical Homily) of St. John Chrysostom (died 407) is read aloud at Paschal matins, the service that begins Easter, in Eastern Orthodox and Byzantine Catholic churches. According to the tradition of the Church, no one sits during the reading of the Paschal homily.
Liturgy of St. John Chrysostom (Grechaninov), a choral work composed by Alexander Grechaninov in 1897. Liturgy of St. John Chrysostom (Badev), a choral work composed by Atanas Badev, published in 1898. Liturgy of St. John Chrysostom (Ippolotov-Ivanov), a choral work composed by Mikhail Ippolitov-Ivanov in 1903.
Supporters of John Chrysostom countered that the "Golden Mouthed" (Greek: Χρυσόστομος) archbishop of Constantinople was unmatched in both eloquence and in bringing sinners to repentance. A third group insisted that Basil's close friend, Gregory the Theologian, was preferred to the others due to the majesty, purity, and profundity of ...
Thus, contrary to the common proverbial understanding, St. John Chrysostom explains where there is God's will (not the will of men) there is no need to react in passion. [ 6 ] The saying is sometimes interpreted to mean "those who live by violence will die by violence", [ 7 ] which some have interpreted as a call for Christian pacifism [ 8 ] or ...
The Liturgy of St. John Chrysostom (Russian: Литургия святого Иоанна Златоуста, Liturgiya svyatogo Ioanna Zlatousta) is an a cappella choral composition by Pyotr Ilyich Tchaikovsky, his Op. 41, composed in 1878. [1]
In the Greek-speaking church, John Chrysostom wrote that the verse prohibits women from teaching the public or making public speeches. [8] 1 Timothy 2:12 was used in court against Anne Hutchinson. The verse was widely used to oppose all education for women, and all teaching by women, during the Renaissance and early modern period in Europe.