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  2. B minor - Wikipedia

    en.wikipedia.org/wiki/B_minor

    B minor is a minor scale based on B, ... The scale degree chords of B minor are: ... Violin Concerto No. 2 in B Minor, Op. 32; Alban Berg. Piano sonata, ...

  3. File:PianoChord BM7-5.svg - Wikipedia

    en.wikipedia.org/wiki/File:PianoChord_BM7-5.svg

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  4. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).

  5. Jazz chord - Wikipedia

    en.wikipedia.org/wiki/Jazz_chord

    Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1 ]

  6. Borrowed chord - Wikipedia

    en.wikipedia.org/wiki/Borrowed_chord

    Sheila Romeo explains that "[i]n theory, any chord from any mode of the scale of the piece is a potential modal interchange or borrowed chord. Some are used more frequently than others, while some almost never occur." [1] In the minor mode, a common borrowed chord from the parallel major key is the Picardy third.

  7. Neapolitan chord - Wikipedia

    en.wikipedia.org/wiki/Neapolitan_chord

    The Neapolitan sixth chord is an idiom specific to classical music. Other music traditions often feature ♭ II harmonies (ex. C major chord in the keys of B major or B minor), but usually in root position. These are sometimes referred to as "Neapolitan" chords, but these rarely follow the classical voice-leading and chord functions described ...

  8. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]

  9. Tone cluster - Wikipedia

    en.wikipedia.org/wiki/Tone_cluster

    Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.

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