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A common motif used in clothing and other arts products is the dragon playing with flaming pearls (or balls [34]: 8 ), which appeared during the second half of the first 1st millennium AD. [1] The flaming ball or ball represents either the sun or the moon; it is sometimes referred as the "day or night shining pearl".
Scythian art makes great use of animal motifs, one component of the "Scythian triad" of weapons, horse-harness, and Scythian-style wild animal art.The cultures referred to as Scythian-style included the Cimmerian and Sarmatian cultures in European Sarmatia and stretched across the Eurasian steppe north of the Near East to the Ordos culture of Inner Mongolia.
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. [1] The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical ...
The tortoise is a favored motif by netsuke-carvers and other artisans, and is featured in traditional Japanese wedding ceremonies. [2] There is also a well-known artistic pattern based on the nearly hexagonal shape of a tortoise's shell. These patterns are usually composed of symmetrical hexagons, sometimes with smaller hexagons within them. [40]
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
This is a very similar motif to the role of the Simurgh in the Iranian epic Shahnameh. In a second dream by the leader of the Hungarian tribes, in which eagles (the emblem of the Pechenegs , enemies of the Hungarians [ citation needed ] ) attacked their horses and the Turul came and saved them.
Confronted animals, or confronted-animal as an adjective, where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology and art history. The "anti-confronted animals" is the opposing motif, with the animals back to back.
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