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James Fenimore Cooper (September 15, 1789 – September 14, 1851) was an American writer of the first half of the 19th century, whose historical romances depicting colonial and indigenous characters from the 17th to the 19th centuries brought him fame and fortune.
The Last of the Mohicans: A Narrative of 1757 is an 1826 historical romance novel by James Fenimore Cooper.It is the second book of the Leatherstocking Tales pentalogy and the best known to contemporary audiences. [2]
Aside from the Irvings and Paulding, the initial members of the group consisted of, but were not limited to, Fitz-Greene Halleck, Gulian Verplanck, James Fenimore Cooper, William Cullen Bryant and Joseph Rodman Drake. [8] Membership into the Knickerbocker group established its group members as literary personalities in New York. [8]
James Fenimore Cooper was another influential writer of Western romance fiction in the 19th century as was Bret Harte, both having become known for furthering the myth of the idealised cowboy in Romantic literature. [3] Cooper has been credited as the father of Western literature, and a pioneer in Western romance writing specifically.
James Fenimore Cooper: His Country and His Art (Papers from the 1979 Conference at State University College of New York, Oneonta and Cooperstown). pp. 11–39. Rans, Geoffrey (1991). Cooper's Leather-Stocking Novels: A Secular Reading. University of North Carolina Press. White, Craig (2006). Student Companion to James Fenimore Cooper. Greenwood ...
James Cooper (his mother's family name of Fenimore was legally added in 1826) was born in Burlington, N.J., on Sept. 15, 1789, the eleventh of 12 children of William Cooper, a pioneering landowner and developer in New Jersey and New York.
The Pioneers was the first novel of James Fenimore Cooper's Leatherstocking Tales series, featuring the character Natty Bumppo, a resourceful white American living in the woods. The story focuses on the development of a "wilderness" area (as classified by European Americans) as a settled European-American community with refinements.
James Fenimore Cooper in an 1822 portrait. Everett Emerson (in Mark Twain: A Literary Life) wrote that the essay is "possibly the author's funniest". [6] Joseph Andriano, in The Mark Twain Encyclopedia, argued that Twain "Imposed the standards of Realism on Romance" and that this incongruity is a major source of the humor in the essay.
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