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Latin American art is the combined artistic expression of Mexico, Central America, the Caribbean, and South America, as well as Latin Americans living in other regions. The art has roots in the many different indigenous cultures that inhabited the Americas before European colonization in the 16th century.
Nueva Figuración (translated New Figuration or Neofiguration) was an artistic movement in Spain and Latin America, specifically Argentina, Mexico, and Venezuela, that embraced a new form of figurative art in response to both abstraction and traditional forms of representation. Artists advocated a return to the human figure and everyday reality.
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
The first influence that happened upon the world of Latin American art regarding Concrete Art came from the works of Joaquín Torres-Garcia.In 1936, Torres-Garcia had already referred to invention, speaking about those movements that put new art styles to use, such as Impressionism or Cubism. [5]
Boatwright describes it as a one stop shop for all things creative for Latin and Native American artists, in a space aside from SCAD and other organizations. The exhibit will open from 6 to 8 p.m ...
Hinojosa, a Mexican-American journalist, is the anchor and executive producer of Latino USA, a public radio show devoted to Latino issues. She helped launch Latino USA in 1992 and has also worked ...
Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art ).
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