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Revelation 3 is the third chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] but the precise identity of the author remains a point of academic debate. [ 2 ]
Textual variants in the Book of Revelation are the subject of the study called textual criticism of the New Testament. Textual variants in manuscripts arise when a copyist makes deliberate or inadvertent alterations to a text that is being reproduced. An abbreviated list of textual variants in the Book of Revelation is given in this article below.
Revelation 20 is the twentieth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] [ 2 ] but the precise identity of the author remains a point of academic debate. [ 3 ]
The first vision that the author experiences is that of entering Heaven and seeing God's throne (Revelation 4:1–6). In Revelation, God is described as "having the appearance like that of jasper and carnelian with a rainbow-like halo as brilliant as emerald". Around God's throne are twenty four other thrones, on which sit elders in white robes.
Thyatira (Revelation 2:18–29): known for its charity, whose "latter works are greater than the former"; tolerates the teachings of a false prophetess (2:20) Sardis (Revelation 3:1–6): admonished for – in contrast to its good reputation – being dead; cautioned to fortify itself and return to God through repentance (3:2–3)
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Late Tuesday night, the athletic directors at Iowa State and SMU got into a social media scrap centering on the other school’s comparative strength of schedule.
The Giving of the Seven Bowls of Wrath / The First Six Plagues, Revelation 16:1-16. Matthias Gerung, c. 1531 Fifth Bowl, the Seven-headed Beast. Escorial Beatus Statue of an Etruscan priest, holding a phialē from which he is to pour a libation; the plagues of Revelation are poured out on the world like offerings.