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Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache", is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It depicts a fit of vengeful rage in which the Queen of the Night places a knife ...
The arrival of the Queen of the Night. Stage set by Karl Friedrich Schinkel (1781–1841) for an 1815 production "O zittre nicht, mein lieber Sohn" ("Oh, don't tremble, my dear son") is the first aria performed by the Queen of the Night (a famous coloratura soprano role) in Mozart's singspiel The Magic Flute (Die Zauberflöte).
Damrau made her operatic debut in 1995 as Barbarina in The Marriage of Figaro at the Mainfranken Theater Würzburg.In the next two years, she was engaged at the same theatre, featuring as Eliza Doolittle in My Fair Lady, and then as the Queen of the Night in Mozart's The Magic Flute, her debut in that role, and in the world premiere of Salieri's Cublai, gran kan de' Tartari (1998). [5]
The opera was an outstanding success from its first performances, and remains a staple of the opera repertory to this day. [2] In the opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it.
Queen of the Night, or Königin der Nacht, a major character in the 1791 Mozart opera The Magic Flute "Queen of the Night aria" ("Der Hölle Rache kocht in meinem Herzen ") Queen of the Night (Maggie Bell album) Queen of the Night (Loleatta Holloway album), 1978 "Queen of the Night" (song), a 1993 single by Whitney Houston
Our founder has had some of the most iconic costumes through the years—see her 2024 costume and tips and tricks for the best Halloween celebration.
Since 2013, Lewek has performed Queen of the Night in The Magic Flute at the Metropolitan Opera every season. [4] The same year, she was scheduled to perform Cunegonde in Leonard Bernstein's Candide with Washington National Opera but pulled out due to pregnancy and was replaced by Emily Pogorelc. [8]
Giselle was revived in 1863 with new costumes by Lormier's assistant, Alfred Albert. Albert's costumes are closer to those of modern productions than those of Lormier, and were in use at the opera until 1868. The ballet was revived again in 1924 with scenery and costumes by Alexandre Benois. He wanted to revive the costumes of the original ...