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Unfortunate Events in the Front Seats of the Ring of Madrid, and the Death of the Mayor of Torrejón (or Fatal Mishap in the Stands...) [1] (Spanish: Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejón) is the name given to an etching with burnished aquatint, drypoint and burin on paper by the Spanish painter and printmaker Francisco Goya.
Private collection 31.1 x 40.6 The Sacrifice to Vesta (in Polish) 1771 Collection of Felix Palacios Remondo, Zaragoza 32.5 x 24 The Sacrifice to Pan (in French) 1771 Private collection 32.5 x 24 Venus and Adonis (in Spanish) 1771 Zaragoza Museum: 23 x 12 Ecstasy of Saint Anthony the Great (in Polish) 1771 Private collection 47.2 x 38.8
All these were left in Madrid—apparently incomplete and with only a handful of proofs printed—when Goya went to France in 1823. One plate is known to have been etched in 1816, but little else is established about the chronology of the works or Goya's plans for the set. [72]
The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions. The prints are not dated, but they are believed to have been made between 1810 and 1815, around the time Goya started his print series The Disasters of War. Political considerations made it ...
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...
The Museo del Grabado de Goya (English: Goya Engraving Museum) is an art museum dedicated to the engravings made by Spanish artist Francisco Goya, in Fuendetodos, near Zaragoza, Spain. It is the only museum in the world dedicated entirely to Goya's artworks. It is located right next to the painter's birthplace, and it was inaugurated in 1989 ...
A way of flying (Spanish: Modo de volar) is a print by the Spanish painter and printmaker Francisco Goya. Created between 1815 and 1816, it is the 13th of the 22 aquatints making up the series Los disparates. Along with the rest of the series it was first published in 1864 by the Real Academia de Nobles Artes de San Fernando. [1]
He speculates that Goya's son Javier may have created the paintings, and Javier's son Mariano passed them off as the work of Goya for financial gain. Junquera's theory was rejected by Goya scholar Nigel Glendinning , who published an academic study defending the paintings' authenticity and later held a lecture in Madrid restating his conviction.
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