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Yamaha Portasound electronic musical keyboards were produced by the Yamaha Corporation during the 1980s and 1990s. The name suggests the instruments' portability, with battery operation being a consistent feature across the line.
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
The E-T was a prototype concept by Nippon Gakki (known today as Yamaha). It consisted of one console, four oscillators, a tone-forming part widening device, and three speakers. The consoles consisted of a three-stage keyboard, a 32-key pedal keyboard, and 171 switches of sounds and other functions. [4] 1959 — Prototype ET-5 and EM-6
The keyboard contains a scaled-down version of Yamaha's Advanced Wave Memory (AWM) tone generation system, which is a PCM sample-based synthesis engine. The samples are an adaptation of Yamaha's earlier PortaTone series of home keyboards produced between 1997 and 2006, as well as the MU-series sound modules produced from 1994 to 2002.
The CP has six sound models taken from Yamaha's CP4 stage piano: a Rhodes Mk.1, a Rhodes Mk.2, a Wurlitzer, a Clavinet, a Yamaha CP80 and a toy piano. [9] The keyboard has a maximum polyphony of 128 notes. The Reface CP also has an effects engine that includes drive, phaser, tremolo, delay, reverb and chorus effects. [12]
"You Make My Dreams" is a song by American duo Daryl Hall & John Oates, taken from their ninth studio album, Voices (1980). The song reached number five on the Billboard Hot 100 chart in 1981. [ 3 ] The track received 154,000 digital sales between 2008 and 2009 according to Nielsen SoundScan .
The band's 1978 self-titled album Yellow Magic Orchestra was successful and the studio project grew into a fully fledged touring band and career for its three members. The album featured the use of computer technology (along with synthesizers) which, according to Billboard, allowed the group to create a new sound that was not possible until then. [24]
According to Cyrkle guitarist Tom Dawes, Simon offered "Red Rubber Ball" to the band when they were opening for Simon and Garfunkel on tour. [6] [7] The song's tracks were recorded in stereo, with the bass, lead guitar, and percussion on the right track, acoustic guitar and electric organ on left, and the vocals on both.