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The album was spoofed by members of the comedy rock band Big Daddy, performing as the Benzedrine Monks of Santa Domonica, in their album Chantmania, [10] which included Gregorian-inspired versions of notable pop songs. Sandra Boynton also produced a book and CD entitled Grunt: Pigorian Chant from Snouto Domoinko de Silo. [11]
The resulting lyrics are an inversion of the Roman Catholic rite of the consecration and elevation of the body and blood of Christ during the Mass. A version of the song has been produced by the band Fantômas , who altered some of the lyrics to mean "smallest blood, body spirit" rather than "we drink the blood, we eat the flesh," and added the ...
Laudibus in sanctis – Magnificum Domini – Hunc arguta; Quis est homo – Diverte a malo; Fac cum servo tuo; Salve Regina – Et Jesum; Tribulatio proxima est – Contumelias et terrores; Domine exaudi orationem – Et non intres in judicium; Apparebit in finem; Haec dicit Dominus – Haec dicit Dominus; Circumdederunt me; Levemus corda
The Benedicite (also Benedicite, omnia opera Domini or A Song of Creation) is a canticle that is used in the Catholic Liturgy of the Hours, and is also used in Anglican and Lutheran worship. The text is either verses 35–65 or verses 35–66 of The Song of the Three Children . [ 1 ]
"Spiritus" is a song performed and written by Australian singer–songwriter Lisa Mitchell. The song was released on 27 March 2012 [ 1 ] as the lead single from her third extended play , Spiritus . It was also included on her second studio album, Bless This Mess .
Spiritus Domini is a Latin expression which literally translates to "the Spirit of the Lord". It can refer to: a Latin name of the Holy Spirit in Christianity; Spiritus Domini, a 1987 ecclesiastical letter of John Paul II about Alphonsus Liguori
Veni Creator Spiritus (Latin: Come, Creator Spirit) is a traditional Christian hymn believed to have been written by Rabanus Maurus, a ninth-century German monk, teacher, archbishop, and saint. When the original Latin text is used, it is normally sung to a Gregorian Chant tune first known from Kempten Abbey around the year 1000.
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...