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Image film format is 5"×5", on 5" wide roll film, with magazine capacity up to 250 exposures (the F8 offered images up to 8"×7.5" on 9" wide film). Shutter speed is preset between 1/100s and 1/1000s. [1] [2] [3] F24 Mk. 1 motorized camera for night photography, to the right is a Type 35 camera control unit
The K-20 is an aerial photography camera used during World War II, famously from the Enola Gay's tail gunner position to photograph the nuclear mushroom cloud over Hiroshima. [1] Designed by Fairchild Camera and Instrument , approximately 15,000 were manufactured under licence for military contract by Folmer Graflex Corporation in Rochester ...
Clark Gable next to a B-17, 1943 Full movie. Combat America is a 1945 documentary film produced in World War II, narrated by Clark Gable. At the time of the film's production in 1943, Gable was a 1st Lieutenant in the Eighth Air Force, part of the United States Army Air Forces. While he was stationed in England, Gable flew five combat missions ...
In the early 1930s, as their Type 91 aerial torpedo entered service, the Japanese used a breakaway wooden nose to soften its impact with the water. As early as 1936, they perfected breakaway wooden fins for added aerial stability. [25] [26] The Japanese attack on Pearl Harbor was a considerably larger operation than Taranto.
Thunderbolt opens with an introduction by James Stewart, who remarks that 1944 has become "ancient history", but reads a message from postwar Army Air Forces commander General Carl Spaatz that, even though the units in the picture happen to be American, the mission depicted could easily have been an RAF mission, and indeed belongs to all people who desire freedom.
The story even features James Bond author Ian Fleming, giving it more than enough grist for a WWII whopper. “Operation Postmaster” makes for a better title, too, than the ungainly “The ...
Aerial Gunner is a 1943 American black-and-white World War II propaganda film produced by William C. Thomas and William H. Pine, who also directed. The film stars Chester Morris, Richard Arlen, and Jimmy Lydon. This was the first feature film directed by Pine, who produced other films through his company, Pine-Thomas Productions.