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Music author Isabelle Leymarie notes that salsa performers often incorporate machoistic bravado (guapería) in their lyrics, in a manner reminiscent of calypso and samba, a theme she ascribes to the performers' "humble backgrounds" and subsequent need to compensate for their origins. Leymarie claims that salsa is "essentially virile, an ...
Most salsa bass tumbaos are based on the tresillo pattern. Often the last note of the measure (ponche) is held over the downbeat of the next measure. In this way, only the two offbeats of tresillo are sounded. This tumbao is clave-neutral. Clave-neutral tresillo-based tumbao. Some salsa tumbaos that have a specific alignment with clave.
Juan Valdez is a composer and orchestral director of salsa music in the Dominican Republic. Valdez has composed music for Asdrubar and helped jumpstart Michel "El Buenón"'s career, and has prepared arrangements of songs for numerous other vocalists. Valdez, born in 1962, played with merengue bands in his early years, including Sergio Vargas ...
All the while he continued to compose songs. In 1960, he moved to New York City and worked for the newspaper "Diario/La Prensa" as a sports columnist. In 1965, Curet Alonso met salsa singer Joe Quijano who recorded Alonso's Efectivamente which became a hit. Curet Alonso developed a unique style of his own which is known as "salsa with a ...
The tresillo pattern is the rhythmic basis of the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [2] [3] Tresillo-based tumbao from "Alza los pies Congo", by Septeto Habanero (1925). Play ⓘ Often the last note of the measure is held over the downbeat of the next measure.
The International Salsa Museum (ISM) is a museum in development in New York City dedicated to preserving and celebrating the history, evolution, and global impact of salsa music and dance. [ 1 ] [ 2 ] It has garnered support from the estates of salsa icons Tito Puente and Celia Cruz , as well as many other musicians, dancers, choreographers ...
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