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Fashnear Technologies Private Limited doing business as Meesho (short for Meri Shop, trans. My Shop) [ 3 ] is an Indian e-commerce company headquartered in Bangalore. [ 4 ] [ 5 ] It is an online marketplace that facilitates trade between suppliers, resellers and customers, with heavy reliance of external social media platforms such as Facebook ...
kurti, kurtee n A traditional form of Indian woman's long loose-fitting tunic, with long sleeves. /kurti/ * Usually the Kurti was longer than male's Kurta, for sometimes it reached down [past] the knees. (Raghoo 1984:3) * She used to wear long dress and kurtee and tie a handkerchief on her head.
The dupatta (Hindi: दुपट्टा, or chunri (known as odni) is a scarf that is like a shawl and is worn with the gagra and choli. It is also used as part of the women's shalwar kameez costume. It is an evolved form of the Uttariya. Until the early 21st century, the dupatta was the most decorative part of gagra choli, while the rest of ...
The dupatta is also worn as part of the shalwar kameez which is worn by women in South Asia, particularly in parts of Northern India and Deccan region. The Punjabi suit is worn in Punjab and Pakistan, it is another three piece outfit made up of trousers, called pyjama or salwar; a top, called a kurta or kameez, and the dupatta.
The Kurti can be a unisex garment, in the same way the Kurta can be a unisex garment. The main difference generally is that the Kurti Top is much longer, whereas the Kurta is a bit shorter. [4] "Usually the Kurti was longer than male's Kurta, for sometimes it reached down [past] the knees. (Raghoo 1984:3) * She used to wear long dress and ...
A Hindu woman with a ghoonghat veil. A ghoonghat (ghunghat, ghunghta, ghomta, orhni, odani, laaj, chunari, jhund, kundh) is a headcovering or headscarf, worn primarily in the Indian subcontinent, by some married Hindu, Jain, and Sikh women to cover their heads, and often their faces.
[23] [24] Bhansali, who produced Chopra-starrer Mary Kom (2014), went on to that film's set in Manali to narrate it with the writer Prakash Kapadia; Bhansali was adamant in his choice of Chopra, who recalled, "The rest of the film hadn't been cast yet. My picture would be there and the pictures for Bajirao and Mastani would keep changing." [23 ...