Search results
Results from the WOW.Com Content Network
The Renaissance cyclic mass, which incorporates a usually well-known portion of plainsong as a cantus firmus in each of its sections, is an early use of this principle of unity in a multiple-section form. [2] Examples can also be found in late-sixteenth- and seventeenth-century instrumental music, for instance in the canzonas, sonatas, and ...
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
Shape and form (visual arts) Silhouette; Simplicity (photography) Skypan; Slit-scan photography; Soft focus; Solarization (photography) Spirit photography; Spotting (photography) Sprocket hole photography; Star trail; Stopping down; Street photography; Strip aerial photography; Strip photography; Sunny 16 rule
Photographic composition techniques are used to set up the elements of a picture. These are the techniques which resembles the way we humans normally see a view Some of the main techniques that are: Simplicity (photography) Symmetrical balance; Asymmetrical balance; Radial balance; Rule of thirds; Leading lines [1] Golden ratio; Framing ...
Cyclic form, a technique of construction involving multiple sections or movements; Interval cycle, a collection of pitch classes generated from a sequence of the same interval class; Song cycle, individually complete songs designed to be performed in a sequence as a unit
Shades of Light (Australian Photography 1839 - 1988) the online version of the original Shades of Light published 1998, Gael Newton, National Gallery of Australia. Illustrated Photography - Basic Photography - The basics of photography explained in a series of articles. Camera Obscura - digital library on the history photographic techniques
This is a list of recurring ... Almost periodic function – Amplitude modulation – Amplitude – Beat – Chaos theory – Cyclic group – Diffraction – Doppler ...
Zoom burst, a photograph taken with a zoom lens, whose focal length was varied during the course of the exposure. In a sense, ICM is the same effect as (intentional) single-exposition motion blur: in the former the camera moves during exposure, in the second the target moves, but they have in common that there is relative motion between camera and target, often resulting in streaking in the image.