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Car Wheels on a Gravel Road is the fifth studio album by American singer-songwriter Lucinda Williams, released on June 30, 1998, by Mercury Records.The album was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, and features guest appearances by Steve Earle and Emmylou Harris.
Live at the Fillmore (stylized as Live @ The Fillmore) is a live album by American singer-songwriter Lucinda Williams, her eighth album overall, released on May 10, 2005, by Lost Highway Records. Recorded in November 2003 during a three-night stand in San Francisco , [ 1 ] the double album was met with critical acclaim, and debuted at No. 66 on ...
Lucinda Gayl Williams [a] (born January 26, 1953) [2] is an American singer-songwriter and a solo guitarist. She recorded her first two albums, Ramblin' on My Mind (1979) and Happy Woman Blues (1980), in a traditional country and blues style that received critical praise but little public or radio attention.
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Down Where the Spirit Meets the Bone is the 11th studio album by American singer-songwriter Lucinda Williams. The double album was released on September 30, 2014. It is the first album on Williams' own Highway 20 Records label. [1] The song "Compassion", from which the album title is derived, is based on a poem by her father, Miller Williams.
"Right in Time" is a song written and performed by American singer-songwriter Lucinda Williams. It was released in 1998 as the first single from her fifth album, Car Wheels on a Gravel Road (1998). The song was featured on the season one soundtrack album to the Showtime series The L Word . [ 2 ]
"Metal Firecracker" – originally by Lucinda Williams "Mushaboom" – originally by Feist (Motion Sickness, 2005) "Out on the Weekend" – originally by Neil Young (3 More Hit Songs From Bright Eyes, 2002, and There Is No Beginning to the Story, 2002)
Sweet Old World was voted the 11th best album of 1992 in The Village Voice ' s Pazz & Jop, an annual poll of prominent music critics. [10] Robert Christgau, the poll's creator, ranked it 6th on his own year-end list, [11] later writing that the album was "gorgeous, flawless, brilliant [with] short-story details ('chess pieces,' 'dresses that zip up the side') packing a textural thrill akin to ...