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Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
Various items in Aomori Prefecture featuring kogin-zashi patterns. Kogin-zashi (こぎん刺し) is one of the techniques of sashiko, or traditional Japanese decorative reinforcement stitching, that originated in the part of present-day Aomori Prefecture controlled by the Tsugaru clan during the Edo period (1603-1867).
The American quilt: A history of cloth and comfort, 1750-1950 (1993). LaPinta, Linda Elisabeth. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce (University Press of Kentucky, 2023) online review of this book. Torsney, Cheryl B., and Judy Elsley, eds. Quilt Culture: Tracing the Pattern. (U of Missouri ...
Meisen cloth, probably 1950s Meisen (銘 （ めい ） 仙 （ せん ）, lit. ' common silk stuff ') is a type of silk fabric traditionally produced in Japan ; it is durable, hard-faced, and somewhat stiff, with a slight sheen, : 79 and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late- Taishō ...
Echo quilting, where a quilted outline of the appliqué pattern is repeated like ripples out to the edge of the quilt, is the most common quilting pattern employed on Hawaiian-style quilts. Beautiful examples are held in the collection of the Bernice Pauahi Bishop Museum , Honolulu, Hawaii.
Crazy quilts became popular in the late 1800s, likely due to the English embroidery and Japanese art that was displayed at the Philadelphia Centennial Exposition. American audiences were drawn to the satin stitches used in English embroidery, which created a painterly surface, which is reflected in many crazy quilts.
After seeing an antique quilt exhibit at the Flint Institute of Art in the mid-1970s, Marston was inspired to learn how to make quilts. [5] She initially learned to quilt from Mennonite women in Oregon, [ 6 ] [ 7 ] and in 1977, she met quilter and quilt historian Mary Schafer (1910-2006), [ 8 ] who became a primary influence. [ 9 ]
A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
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