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A free-standing single-panel partition. [12] Wood, or wood frame covered with cloth or paper, often painted. Feet may be integral, or a separate stand into which a fusuma-like panel can be slotted. [13] Shown is a konmeichi (昆明池) panel, 6 shaku (181.8 cm (71.6 in)) tall; most are shorter seated-height panels. [14] Dates from the 600s or ...
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
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As the access to materials increased, competition to design the most beautiful patterns rose, with an estimate of over 300 different kogin-zashi patterns being created. In the 20th century, the craft of kogin-zashi was streamlined, establishing the three general types that are seen today: nishi-kogin , higashi-kogin , and mishima-kogin . [ 2 ]
The American quilt: A history of cloth and comfort, 1750-1950 (1993). LaPinta, Linda Elisabeth. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce (University Press of Kentucky, 2023) online review of this book. Torsney, Cheryl B., and Judy Elsley, eds. Quilt Culture: Tracing the Pattern. (U of Missouri ...
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