Search results
Results from the WOW.Com Content Network
Where Salinger grew up, 1133 Park Avenue in Manhattan. Jerome David Salinger was born in Manhattan, New York, on January 1, 1919. [5] His father, Sol Salinger, traded in Kosher cheese, and was from a family of Lithuanian-Jewish descent. [6]
In spring 1972, Maynard and Salinger exchanged letters during her freshman year at Yale. By July, Maynard had given up her summer job writing for The New York Times to move in with Salinger in Cornish, New Hampshire. [8] [2] Salinger and his wife had divorced in 1967. By September 1972, Maynard had given up her scholarship to Yale and dropped out.
Raise High the Roof Beam, Carpenters and Seymour: An Introduction is a single volume featuring two novellas by J. D. Salinger, which were previously published in The New Yorker: Raise High the Roof Beam, Carpenters (1955) and Seymour: An Introduction (1959). Little, Brown republished them in this anthology in 1963. It was the first time the ...
An upcoming exhibit at the New York Public Library will offer a look into the very private life of J.D. Salinger. From Oct. 18 to Jan 20, 2020, the library will show materials ranging from family ...
First published in 1940, "Go See Eddie" is one of J. D. Salinger's first short stories. [18] Initially submitted to Story magazine and then to Esquire before being accepted by The University of Kansas City Review, now known as New Letters, this short story was forgotten for decades, before being uncovered in 1963 by Salinger's biographer Warren French.
"Hapworth 16, 1924" is an uncollected work of short fiction by J. D. Salinger that appeared in the June 19, 1965, issue of The New Yorker. [1]The story is the last original work Salinger published during his lifetime, and filled almost the entire magazine.
"Down at the Dinghy" is a short story by J. D. Salinger, originally published in Harper's in April 1949, [1] and included in the compilation, Nine Stories. [2]Written in the summer of 1948 at Lake Geneva, Wisconsin, [3] the story marks a shift away from Salinger's literary misanthropy, which had largely been informed by his horrific combat experiences in Europe during World War II, [4] and ...
“Go See Eddie” is one of a number of Salinger’s uncollected stories that deals with “characters who become involved in degrading, often phony social contexts.” [8] An examination of “social manners [and] the corruption of innocence” [9] [10] the story, “though slight in range, foreshadows Salinger’s more searching explorations of innocence either threatened or lost ...