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The crafting of jewellery or fictional items that could have been embellished to create a form of jewellery has a history in Scotland dating back to at least 300BCE, with the emergence of the "Celtic" style of decoration. [23] The Celtic style and the Pictish style are very similar and both have an influence in Scottish jewellery today.
A Claddagh ring (Irish: fáinne an Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [1] [2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century. [3]
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
Irish swords were copied from these models, which had unique furnishings. Many, for example, often featured open rings on the pommel. On any locally designed Irish sword in the Middle Ages, this meant you could see the end of the tang go through the pommel and cap the end. These swords were often of very fine construction and quality.
The Kinsale cloak (Irish: fallaing Chionn tSáile), worn until the twentieth century in Kinsale and West Cork, was the last remaining cloak style in Ireland. It was a woman's wool outer garment which evolved from the Irish cloak, a garment worn by both men and women for many centuries. Image from an old postcard showing a woman wearing a ...
Aengus - god of passionate and romantic love, youth and poetic inspiration; Áine - goddess of parental and familial love, summer, wealth and sovereignty; Banba, Ériu and Fódla - patron goddesses of Ireland
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