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Seven Lucky Gods, similar group of Japanese auspicious deities; Tai Sui (太歲)—60 Heavenly Officials who will be in charge of each year during the Chinese sixty-year cycle; Wufang Shangdi. Color in Chinese culture; Xi (喜), a character sometimes added to form the set phrase: Fu Lu Shou Xi (福禄壽喜) Qing Dynasty (1644-1911) Fu Lu Shou ...
Caishen (traditional Chinese: 財神; simplified Chinese: 财神; lit. 'God of Wealth') is the mythological figure worshipped in the Chinese folk religion and Taoism . He has been identified with many historical figures, viewed as his embodied forms, among whom Zhao Gongming ( 趙公明 , Wade–Giles : Chao Kung-ming ; also known as Zhao Gong ...
The Chinese character fu (福; fú ⓘ), meaning 'fortune' or 'good luck' is represented both as a Chinese ideograph and, at times, pictorially, in one of its homophonous forms. It is often found on a figurine of the male god of the same name, one of the trio of "star gods" Fú , Lù , and Shòu .
Zhong Kui (Chinese: 鍾馗; pinyin: Zhōng Kuí; Korean: 종규, romanized: Jonggyu; Japanese: 鍾馗, romanized: Shōki; Vietnamese: Chung Quỳ) is a Taoist deity in Chinese mythology, traditionally regarded as a vanquisher of ghosts and evil beings. He is depicted as a large man with a big black beard, bulging eyes, and a wrathful expression.
Zhao Gongming (Chinese: 趙公明), also known as Zhao Gong Yuanshuai (Chinese: 趙公元帥; lit. 'Lord Zhao the Marshal'), is a god of wealth in Chinese folk religion. [1] [2] [3] Zhao Gongming is the most notable among various forms of Caishen, and his birthday is commemorated on the fifth day of the first lunar month.
Lakshmi: Goddess of wealth, fortune and luck. Kubera: God of wealth; Ganesha: God of wisdom, luck and good beginnings; associated with wealth and fortune. Alakshmi: Goddess of misfortune. Agni: God of fire, wealth and food(in the vedas).
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
These are visually represented by the three "star gods" of the same names (Fú, Lù, Shòu), commonly depicted as three male figurines [1] (each wearing a distinctive garment and holding an object that enables them to be differentiated), or the Chinese ideographs/characters themselves, or various homophones or objects with relevant attributes.