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The Anti PowerPoint Party (APPP) is a Swiss political party dedicated to decreasing professional use of Microsoft PowerPoint and other forms of presentation software, which the party claims "causes national-economic damage amounting to 2.1 billion CHF" annually and lowers the quality of a presentation in "95% of the cases". [1]
The latest version that runs on Windows "was created in conjunction with PowerPoint 2010, but it can also be used to view newer presentations created in PowerPoint 2013 and PowerPoint 2016. ... All transitions, videos and effects appear and behave the same when viewed using PowerPoint Viewer as they do when viewed in PowerPoint 2010."
The Swiss People's Party (German: Schweizerische Volkspartei, SVP; Romansh: Partida populara Svizra, PPS), also known as the Democratic Union of the Centre (French: Union démocratique du centre, UDC; Italian: Unione Democratica di Centro, UDC), is a national-conservative [13] [14] and right-wing populist [15] political party in Switzerland.
In 2008 the total number of full-time equivalent jobs was 1,400. The number of jobs in the primary sector was 431, of which 427 were in agriculture and 4 were in forestry or lumber production. The number of jobs in the secondary sector was 341 of which 53 or (15.5%) were in manufacturing and 288 (84.5%) were in construction.
The Lion Monument (German: Löwendenkmal), or the Lion of Lucerne, is a rock relief in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn.
École spéciale de Lausanne, 1857 Louis Rivier, founding member of École spéciale de Lausanne. The roots of modern-day EPFL can be traced back to the foundation of a private school under the name École spéciale de Lausanne in 1853 at the initiative of Louis Rivier, a graduate of the École Centrale Paris and John Gay, the then professor and rector of the Académie de Lausanne.
The novel was adapted for the screen by Saul Dibb and Matt Charman, with Dibb directing. [3] In 2013, the film, produced by France's TF1 Droits Audiovisuels and UK's Entertainment One, was given a budget of €15 million ($20 million). Mick Brown of The Daily Telegraph noted this was "big by European, if not American, standards". [5]