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Franz Simandl. Franz Simandl (August 1, 1840 – December 15, 1912) was a double-bassist and pedagogue from Austria-Hungary most remembered for his book New Method for String Bass, known as the "Simandl book", which is to this day used as a standard study of double bass technique and hand positions.
It has the same general shape as a soprano, but is larger in all dimensions, resulting in a lower pitch for a given fingering. The F alto is a non- transposing instrument , though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C).
The history of the double bass is tightly coupled to the development of string technology, as it was the advent [6] of overwound gut strings, which first rendered the instrument more generally practicable, as wound or overwound strings attain low notes within a smaller overall string diameter than non-wound strings. [18]
String instruments can also produce multiphonic tones when strings are bowed or hammered (as in piano multiphonics) between the harmonic nodes. This works best on larger instruments like double bass and cello. [1] Another technique involves the rotational oscillation mode of the string, which might be twisted to adjust the rotational tension.
For the double bass, thumb position is used when playing above one-lined G [citation needed] (on the third ledger line in bass clef notation for the double bass). To play passages in this register, the player shifts their hand out from behind the neck and flattens it out, using the side of the thumb to press down the string.
In classical double bass playing, pizzicato is often performed with the bow held in the hand; as such, the string is usually only plucked with a single finger. In contrast, in jazz, bluegrass, and other non-Classical styles, the player is not usually holding a bow and is therefore free to use two or three fingers to pluck the string.
Contrabass (from Italian: contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist.
The term false fingering is used in instruments such as woodwinds, brass, and stringed instruments where different fingerings can produce the same note, but where the timbre or tone quality is distinctly different from each other. If the tone quality is not distinctly different between the two notes, the term alternate fingering is often used ...
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