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The 4th Academy Awards were awarded to films completed and screened released between August 1, 1930, and July 31, 1931, by the Academy of Motion Picture Arts and Sciences. Most Nominations: Cimarron (RKO Pictures) – 7 Major Awards Best Picture: Cimarron – RKO; Best Director: Norman Taurog – Skippy; Best Actor: Lionel Barrymore – A Free Soul
Title Director Cast Genre Notes The Age for Love: Frank Lloyd: Billie Dove, Edward Everett Horton, Lois Wilson: Comedy: United Artists: Air Eagles: Phil Whitman: Lloyd Hughes, Norman Kerry, Shirley Grey
[1] Alibi: Leslie S. Hiscott: Austin Trevor, Elizabeth Allan, Franklin Dyall: Drama [2] Almost a Divorce: Jack Raymond, Arthur Varney: Margery Binner, Sydney Howard, Kay Hammond: Comedy [3] The Beggar Student: Victor Hanbury, John Harvel: Margaret Halstan, Frederick Lloyd, Jerry Verno: Musical [4] The Bells: Oscar Werndorff, Harcourt Templeman
Title Russian title Director Cast Genre Notes 1931: Alone: Одна: Grigori Kozintsev and Leonid Trauberg: Yelena Kuzmina, Pyotr Sobolevsky, Sergei Gerasimov: Drama: And Quiet Flows the Don
His Woman is a 1931 American pre-Code romance drama film directed by Edward Sloman and starring Gary Cooper and Claudette Colbert. [1] Based on the novel His Woman by Dale Collins, the story is about a tough sea captain who discovers a baby aboard his freighter and hires a tramp, masquerading as a missionary's daughter, to care for the infant on their passage to New York.
This is a list of films produced or distributed by Universal Pictures in 1930–1939, founded in 1912 as the Universal Film Manufacturing Company. It is the main motion picture production and distribution arm of Universal Studios , a subsidiary of the NBCUniversal division of Comcast .
Release date Title Notes January 3, 1932: Dr. Jekyll and Mr. Hyde [c]: distribution only; All-Talking. Based on The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson.
This is a list of the most notable films produced in Germany of the Weimar Republic era from 1919 until 1932, in year order. This period, between the end of World War I and the advent of the Nazi regime, is considered an early renaissance in world cinema, with many influential and important films being made.
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