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  2. Haboku sansui - Wikipedia

    en.wikipedia.org/wiki/Haboku_sansui

    Haboku sansui (破墨山水図, haboku sansui-zu, Broken Ink Landscape) is a splashed-ink landscape painting on a hanging scroll. It was made by the Japanese artist Sesshū Tōyō in 1495, in the Muromachi period. The ink wash painting is classified as a National Treasure of Japan and currently held by the Tokyo National Museum. [1] [2]

  3. Haboku - Wikipedia

    en.wikipedia.org/wiki/Haboku

    Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495 Sesshu's landscape in hatsuboku style. Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork.

  4. Landscape by Sesshū - Wikipedia

    en.wikipedia.org/wiki/Landscape_by_Sesshū

    Landscape by Sesshū is one of the most securely authenticated works of the Japanese Muromachi period artist Sesshū (1420–1506). It is an ink wash landscape (山水図) in the private collection of the Ōhara family in Kurashiki, Okayama Prefecture, Japan. The hanging scroll has been designated a National Treasure. [1] [2]

  5. Toko Shinoda - Wikipedia

    en.wikipedia.org/wiki/Toko_Shinoda

    Toko Shinoda (篠田 桃紅, Shinoda Tōkō, 28 March 1913 – 1 March 2021) was a Japanese artist. Shinoda is best known for her abstract sumi ink paintings and prints. . Shinoda's oeuvre was predominantly executed using the traditional means and media of East Asian calligraphy, but her resulting abstract ink paintings and prints express a nuanced visual affinity with the bold black ...

  6. Japanese painting - Wikipedia

    en.wikipedia.org/wiki/Japanese_painting

    Japanese painting 絵画, kaiga; also ... ink painting had migrated out of the Zen monasteries into the art world in general, ... 1897, oil on canvas, Kuroda Memorial ...

  7. Nihonga - Wikipedia

    en.wikipedia.org/wiki/Nihonga

    Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.

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