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Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
Claudio Luti, son in law. Anna Castelli Ferrieri (6 August 1918 - 22 June 2006) was an Italian architect and industrial designer. She is most known for her influence in the use of plastics as a mainstream design material and her cofounding of Kartell, an Italian contemporary furniture company.
Italian baroque furnishing also had considerable Eastern influences. [4] Venetians, who at the time still held a vast sea empire, often imported rich fabrics and materials from other nations to enrich their furniture with eastern influences. Their furniture was chiefly sumptuous and luxurious, and included rich silks and green and gold lacquer. [4]
Art Nouveau furniture. Furniture created in the Art Nouveau style was prominent from the beginning of the 1890s to the beginning of the First World War in 1914. It characteristically used forms based on nature, such as vines, flowers and water lilies, and featured curving and undulating lines, sometimes known as the whiplash line, both in the ...
At first, in the early 1900s, Italian furniture designers struggled to create an equal balance between classical elegance and modern creativity, and initially, Italian interior design in the 1910s and 1920s was very similar to that of French art deco styles, using exotic materials and creating sumptuous furniture. However, Italian art deco ...
Transavantgarde is the Italian version of Neo-expressionism, an art movement that swept through Italy, and the rest of Western Europe, in the late 1970s and 1980s. The term transavantgarde was coined by the Italian art critic, Achille Bonito Oliva, and literally means beyond the avant-garde. This art movement rejected conceptual art ...
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