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The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in 1925. Sound recording now became a hybrid process — sound could now be captured, amplified ...
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .
Pages in category "History of sound recording" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. 0–9.
An audio format is a medium for sound recording and reproduction.The term is applied to both the physical recording media and the recording formats of the audio content—in computer science it is often limited to the audio file format, but its wider use usually refers to the physical method used to store the data.
Édouard-Léon Scott de Martinville ([e.dwaʁ.le.ɔ̃ skɔt də maʁ.tɛ̃.vil]; 25 April 1817 – 26 April 1879) was a French printer, bookseller and inventor.. He invented the earliest known sound recording device, the phonautograph, which was patented in France on 25 March 1857.
The Encyclopedia of Recorded Sound is a reference work that, among other things, describes the history of sound recordings, from November 1877 when Edison developed the first model of a cylinder phonograph, and earlier, in 1857, when Léon Scott de Martinville invented the phonautograph. [1]
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
The device's true significance in the history of recorded sound was not fully realized prior to March 2008, when it was discovered and resurrected in a Paris patent office by First Sounds, an informal collaborative of American audio historians, recording engineers, and sound archivists founded to make the earliest sound recordings available to ...