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The Beatles recorded "Doctor Robert" during the early part of the Revolver sessions. The session for the song took place on 17 April 1966 at EMI Studios (now Abbey Road Studios ) in London. [ 23 ] It was a relatively straightforward track to record, [ 21 ] compared to the more experimental songs such as " Tomorrow Never Knows " and " Rain ".
The Beatles began recording the song at EMI Studios (later Abbey Road Studios) in London on 9 July 1969. John Lennon, who had been absent from recording sessions for the previous eight days after being injured in a car crash in Scotland, arrived to work on the song, [11] [12] accompanied by his wife, Yoko Ono, who, more badly hurt in the accident than Lennon, lay on a large double-bed in the ...
Feels Like a New Morning was released in April 2013, accompanied by a bonus CD containing 10 Blow Monkeys songs performed by Dr. Robert. [16] In 2013, Sony Music issued a comprehensive, three-disc box set, Halfway to Heaven: The Best of The Blow Monkeys & Dr Robert, including a 1984 concert from the Hammersmith Palais.
"For No One" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written by Paul McCartney, and credited to Lennon–McCartney.An early example of baroque pop [1] [2] [3] drawing on both baroque music and nineteenth-century art song, [4] it describes the end of a romantic relationship.
The Beatles rehearsed "Good Day Sunshine" extensively in the studio on 8 June 1966, before recording three full takes of the basic track. Take 1 was selected for overdubbing, which they completed the following day. [24] The basic track consisted of piano, bass guitar and drums. [25] [26] MacDonald was unsure if Lennon played guitar. [16]
Robert Christgau said that the track was "just a cut above Paul Mauriat, not bad but not Our Boys". [4] Rex Reed , in a highly unfavourable review of the album for Stereo Review , said that it "sounds like the soundtrack of an old Maria Montez jungle movie at just about the point where she feeds the chanting populace to the cobras".
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Paul McCartney began writing "Ob-La-Di, Ob-La-Da" during the Beatles' stay in Rishikesh, India, in early 1968. [7] [8] Prudence Farrow, one of their fellow Transcendental Meditation students there, recalled McCartney, John Lennon and George Harrison playing it to her in an attempt to lure her out of her room, where she had become immersed in intense meditation. [9]
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