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Psalm 51:3 became known as the "neck verse" because knowing it could "save one's neck" (an idiom for "save one's life") by transferring the case from a secular court, where hanging was a likely sentence, to an ecclesiastical court, where both the methods of trial and the sentences given were more lenient. [4]
Thus, an illiterate person who had memorized this psalm could also claim the benefit of clergy, and Psalm 51 became known as the "neck-verse" because knowing it could save one's neck by transferring one's case from a secular court, where hanging was a likely sentence, to an ecclesiastical court, where both the methods of trial and the sentences ...
The work is set as a falsobordone, a technique then commonly used for performing psalm tones in a polyphonic manner. Allegri's setting is based upon the Tonus peregrinus . Verses alternate between a five-part setting sung by the first choir (verses 1, 5, 9, 13, 17) and a four-part setting sung by the second (verses 3, 7, 11, 15, 19 ...
Josquin's setting of the Miserere was influential not only as a psalm setting, but as an example of how to approach the text of Infelix ego. Later in the 16th century, composers who specifically set the words of Savonarola, such as Adrian Willaert , Cipriano de Rore , and Nicola Vicentino , all of whom wrote motets on Infelix ego , used Josquin ...
Psalm 51 refers to "Your holy spirit" (ruach kodshecha). [3] Chapter 63 of the Isaiah refers twice to "His holy spirit" (ruach kodsho) in successive verses. [4] Psalm 51 contains a triple parallelism between different types of "spirit": Fashion a pure heart for me, O God; create in me a steadfast spirit (רוּחַ נָכֹון ).
Girolamo Savonarola by Fra Bartolomeo, c. 1498.. Infelix ego ("Alas, wretch that I am") is a Latin meditation on the Miserere, Psalm 51 (Psalm 50 in Septuagint numbering), composed in prison by Girolamo Savonarola by 8 May 1498, after he was tortured on the rack, and two weeks before he was burned at the stake in the Piazza della Signoria in Florence on 23 May 1498.
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Psalm 51, also known as the Miserere ("have mercy") poem, was usually read as a plea by David, asking God for forgiveness for his affair with Bathsheba. The Kentish Psalm begins by recounting that traditional exegetical material, followed by "an expansive paraphrase" of the psalm, and ends with the poet's plea that God "forgive the poet and ...