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Some adult prayers are equally popular with children, such as the Golden Rule (Luke 6:31, Matthew 7:12), the Doxology, the Serenity Prayer, John 3:16, Psalm 145:15–16, Psalm 136:1, and for older children, The Lord's Prayer and Psalm 23.
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: "The Lord is my shepherd".In Latin, it is known by the incipit, "Dominus regit me ".
Other interpreters have suggested that verses 5 and 6 of Psalm 23 do not carry forward the "shepherd" metaphor begun in verse 1, but that these two verses are set in some other, entirely human, setting. [5] Andrew Arterbury and William Bellinger read these verses as providing a metaphor of God as a host, displaying hospitality to a human being. [5]
It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire. [1] It is commonly sung to the tune Crimond, which is generally credited to Jessie Seymour Irvine. [2]
The righteous and the sinful may be separated by the path they choose. Psalm 1 sees two paths laid out for man, "ruin's way" where "wicked counsel leads," or the way of God. This Psalm shares the motif of paths or "the way", especially choosing the right path, with the Bible; the opening line of Psalm 1 refers to "tread[ing]" the right path ...
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One of the most widely known hymns in Christian worship, "The Lord's my Shepherd", is a translation of Psalm 23 appearing in the 1650 Scottish Psalter. [14] But by the time better metrical psalms were made in English, the belief that every hymn sung in church had to be a Biblical translation had been repudiated by the Church of England.
All the psalms were present in common meter (CM), which meant that in principle any psalm could be sung to any psalm tune, though not every possible combination would have been regarded as good taste. Musical editions of the psalter were published with the pages sliced horizontally, the tunes in the top half and the texts in the bottom ...
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