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Rhyme scheme. A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
In 1751, Thomas Gray published "Elegy Written in a Country Churchyard", composed in the heroic stanza.Written in iambic pentameter, the poem followed the same metrical and structural patterns seen in Annus Mirabilis, but the use of the poetic form in an elegy gave it the title of the "elegiac decasyllabic quatrain". [3]
The Song: Go and Catch a Falling Star, also known simply as Song, is a poem by John Donne, one of the leading English metaphysical poets. Probably first passed round in manuscript during the final decade of the 16th century, it was not published until the first edition of Donne's collected poems in 1633 - two years after the poet's death. [ 2 ]
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
It is in iambic pentameter rhyming ABABAB in the first stanza; each stanza begins by repeating the previous end-words 6 then 1, but the following 4 lines repeat the remaining end-words ad lib; the envoi is (1) 4 / (2) 3 / (5) 6. In the same volume (Poems and Ballads, Second Series, 1878) Swinburne introduces a "double sestina" [5] [21] ("The ...
For example, Sappho frr. 130 – 131 (and the final lines of fr. 94's stanzas) are composed in a shortened version (gl d) of the meter used in Book II of her poetry. However, the surviving poetry also abounds in fragments in other meters, both stanzaic and stichic, some of them more complicated or uncertain in their metrical construction.
Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous. [2][3]