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"Tangled Up in Me" is a song recorded by Canadian musician Skye Sweetnam. It was released as the first single from Sweetnam's debut album Noise From the Basement on March 9, 2004, through Capitol Records. The song was written by Skye Sweetnam, James Robertson, Heather Mitchell, and Jimmy Harry.
This is a chronological list of confirmed unreleased songs by singer-songwriter Skye Sweetnam. "Awakening" (James Robertson, Skye Sweetnam) "Blow Your Mind" (James Robertson, Skye Sweetnam) [1]
Skye was born on May 5, 1988, to Deirdre and Greg Sweetnam. [4] She was named after the Isle of Skye in Scotland. Along with her sister, Aurora, and her brother, Cam, she was born and raised in Bolton, a community in Caledon, Ontario, where she studied dancing and singing from a young age.
Radio Disney Jams, Vol. 2 is the second album of Radio Disney Jams, released by Walt Disney Records in 2000 on CD, and the last to be offered on cassette tape. The album is a compilation of several artists whose songs were regularly featured on Radio Disney.
In composing music for Minecraft, she felt "immense pressure" to deliver due to the "very highly acclaimed score" already in the game. [7] After submitting a demo, her goal with the "Nether Update" soundtrack was to see how far she "could push the sound of the piano until it resembled other things entirely."
Town Line is the first EP by American rock musician Aaron Lewis, and is his first solo release.An extended play consisting of country songs, it was released on March 1, 2011, on Stroudavarious Records. [4]
The verse then references songs on Bob Dylan's Blood on the Tracks, quoting extensively from "Idiot Wind". The song then mentions "Tangled Up in Blue". [6] According to Rucker, Dylan's management were aware of the lyrics and had no problem with them; however, when the song became a hit, they objected. [7]
Unlike the group's previous records, Tangled Up is a pop album that consistently incorporates elements of electropop, dance music, Europop and various EDM sub-genres. [1] [7] Regarding the sound and production, Alexis Petridis of the Guardian found the material to be "witty, diverse and experimental", whilst Digital Spy contributor Nick Levine believed it to be "their most danceable album to ...