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"Hurt So Bad" is a song written by Teddy Randazzo, Bobby Weinstein, and Bobby Hart. It is a 1965 Top 10 hit ballad originally recorded by Little Anthony & The Imperials . Linda Ronstadt also had a Top 10 hit with her cover version in 1980.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Cardiac cephalgia [93] is a rare type of headache occurring during myocardial infarction, characterized by sudden, severe head pain that typically develops during or immediately following a heart attack. The pain is usually located in the occipital or frontal regions and can be accompanied by other cardiac symptoms like chest pain, shortness of ...
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Liberty's Kids ("Through My Own Eyes") – Aaron Carter and Kayla Hinkle; Lie to Me ("Brand New Day") – Ryan Star; Life as We Know It ("Sooner or Later") – Michael Tolcher; Life Goes On (A cover version of The Beatles' "Ob-La-Di, Ob-La-Da") – Patti LuPone and the rest of the cast; Life with Lucy ("Every Day is Better Than Before ...
Beyond our joints and muscles simply getting older, here is a closer look at the most common reasons for your body aches, why your body responds with pain in the first place, and how to find ...
The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1] Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres.