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8½ (Italian: Otto e mezzo [ˈɔtto e mˈmɛddzo]) is a 1963 comedy drama film co-written and directed by Federico Fellini.The metafictional narrative centers on Guido Anselmi (Marcello Mastroianni), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film.
Federico Fellini Cavaliere di Gran Croce OMRI (Italian: [fedeˈriːko felˈliːni]; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter.He is known for his distinctive style, which blends fantasy and baroque images with earthiness.
8 + 1 ⁄ 2 Women is a 1999 comedy-drama film written and directed by Peter Greenaway and starring John Standing, Matthew Delamere, and Vivian Wu. An international co-production of the United Kingdom, the Netherlands, Luxembourg, and Germany, it was entered into the 1999 Cannes Film Festival .
Nine is a musical initiated by and with music and lyrics by Maury Yeston and a book by Arthur Kopit.It is based on the 1963 film 8½.. The show tells the story of film director Guido Contini, who is dreading his imminent 40th birthday and facing a midlife crisis, which is blocking his creative impulses and entangling him in a web of romantic difficulties in early-1960s Venice.
In 1965, Guido Contini is a gifted Italian filmmaker at the famous Cinecittà movie studios in Rome. Having turned fifty and developed writer's block, he conjures all the women in his life, both alive and deceased, for inspiration, including: Luisa (née Acari), his wife; Claudia Jenssen, his star actress; Carla Albanese, his mistress; Liliane "Lilli" La Fleur, his costume designer and ...
Pages in category "Films directed by Federico Fellini" The following 24 pages are in this category, out of 24 total. ... This page was last edited on 2 October 2024 ...
The maestro has gone back to his "8 1/2" and come up with zero." [ 28 ] Tom McElfresh of The Cincinnati Enquirer described the film as having "events and elements that warrant all the usual Fellini review words again: Macabre, penetrating, illusive, antic, astounding, perverse, playful, acerbic . . .
[7] [8] These brief experiments immediately met the curiosity of the popular class, encouraging operators to produce new films until they laid the foundations for the birth of a true film industry. [7] [8] In the early years of the 20th century, silent cinema developed, bringing numerous Italian stars to the forefront until the end of World War ...
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