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Kinnor (Hebrew: כִּנּוֹר kīnnōr) is an ancient Israelite musical instrument in the yoke lutes family, the first one to be mentioned in the Hebrew Bible.. Its exact identification is unclear, but in the modern day it is generally translated as "harp" or "lyre", [2]: 440 and associated with a type of lyre depicted in Israelite imagery, particularly the Bar Kokhba coins.
The asor (Hebrew: עָשׂוֹר ʿasor; from עשר eśer, meaning "ten") was a musical instrument "of ten strings" mentioned in the Bible. [1] There is little agreement on what sort of instrument it was or to what instruments it had similarities.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
The tabret or timbrel was a favorite instrument of the women, and was used with dances, as by Miriam, to accompany songs of victory, or with the harp at banquets and processions; it was one of the instruments used by King David and his musicians when he danced before the Ark of the Covenant.
The Greeks translated the name as nabla (νάβλα, "Phoenician harp"). [1] [2] [3] A number of possibilities have been proposed for what kind of instrument the nevel was; these include the psaltery and the kithara, both of which are strummed instruments like the kinnor, with strings running across the sound box, like the modern guitar and zither.
The Harp and Bowl style of worship, which features musical prayer, derives its name from Revelation 5:8, which describes heavenly creatures where each of them "had a harp" and "were holding golden bowls full of incense, which are the prayers of the saints."
The term "gittith" is used only three times in the Bible: at the beginnings of Psalm 8, Psalm 81, and Psalm 84. These psalms open with "למנצח על-הגיתית" (“for the Leader, upon the gittith”), a direction to the chief musician. Further elaboration or explanation of the meaning of the word is not given.
Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.