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The neckline was trimmed with a fabric or lace ruffle, or a neckerchief called a "fichu" could be tucked into the low neckline. Women would also sometimes wear a neckerchief or a more formal lace modesty piece, particularly on low-cut dresses. [10] The robe à la française or sack-back gown featured back pleats hanging loosely from the ...
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
With the advent of the Baroque era, the focus began to shift to France and the court of Louis XIV. 17th century court dresses featured draped skirts with long trains, tight bodices, low necklines trimmed with lace, and embroidered, lace- and-ribbon-trimmed, full sleeves. Rich silk weaves, such as satin, taffeta, and velvet created luxurious gowns.
Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching. [1]
For women, although fundamental customs for formal ball gowns (and wedding gowns) likewise apply, changes in fashion have been more dynamic. Traditional formal headgear for men is the top hat, and for women picture hats etc. of a range of interpretations. Shoes for men are dress shoes, dress boots or pumps and for women heeled dress pumps.
Women's fashions of the early 16th century consisted of a long gown, usually with sleeves, worn over a kirtle or undergown, with a linen chemise or smock worn next to the skin. The high-waisted gown of the late medieval period evolved in several directions in different parts of Europe.
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