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Glue-size is a painting technique in which pigment is bound to cloth (usually linen) with hide glue, and typically the unvarnished cloth was then fixed to the frame using the same glue. Glue-size is also known as distemper , though the term " distemper " is applied variously to different techniques.
To produce multiple copies at once, one stacks 40 to 50 sheets of tissue paper and staples them together. [2] Using a small mallet and chisels with variously shaped tips, the artist then cuts out pieces of the paper from the stack. [2] This technique allows the carving of a design to be multiplied.
The paper is sold plain, dyed in a variety of colors and decorated with items such as dried leaves and flowers. Although the Nahua people of Guerrero remain the principal buyers of Otomi paper, [49] other wholesale buyers have used it to create products such as lampshades, notebooks, furniture covers, wallpaper, fancy stationery and more. [50]
Sizing is used during paper manufacture to reduce the paper's tendency when dry to absorb liquid, with the goal of allowing inks and paints to remain on the surface of the paper and to dry there, rather than be absorbed into the paper. This provides a more consistent, economical, and precise printing, painting, and writing surface.
At the age of 71 in 1771, Delany began to create cut-out paper artworks of exceptionally-detailed and botanically-accurate depictions of plants, produced using tissue paper and hand-colouration. Delany created 1,700 decoupage pieces, which she called her "Paper Mosaiks", between the ages of 71 and 88, when her eyesight failed.
Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layered. [1] Papermaking by hand is also a paper craft.