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The compression ratio (that is, the size of the compressed file compared to that of the uncompressed file) of lossy video codecs is nearly always far superior to that of the audio and still-image equivalents. Video can be compressed immensely (e.g., 100:1) with little visible quality loss
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Most video coding standards, such as the H.26x and MPEG formats, typically use motion-compensated DCT video coding (block motion compensation). [ 70 ] [ 71 ] Most video codecs are used alongside audio compression techniques to store the separate but complementary data streams as one combined package using so-called container formats .
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Thus, a representation that compresses the storage size of a file from 10 MB to 2 MB yields a space saving of 1 - 2/10 = 0.8, often notated as a percentage, 80%. For signals of indefinite size, such as streaming audio and video, the compression ratio is defined in terms of uncompressed and compressed data rates instead of data sizes:
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Wide-leg jeans. In the 1980s, baggy jeans entered mainstream fashion as the Hammer pants and parachute pants worn by rappers to facilitate breakdancing.In the 1990s these jeans became even baggier and were worn by skaters, hardcore punks, [6] ravers [7] and rappers to set themselves apart from the skintight acid wash drainpipe jeans worn by metalheads. [8]
Video compression schemes for Web and DVD make use of a 4:2:1 color sampling pattern, and the DV standard uses 4:1:1 sampling ratios. Professional video codecs designed to function at much higher bitrates and to record a greater amount of color information for post-production manipulation sample in 4:2:2 and 4:4:4 ratios.