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The painting depicts the biblical event in which Jesus calmed the storm on the Sea of Galilee, as is described in the fourth chapter of the Gospel of Mark. [1] It is Rembrandt's only seascape. [2] Storm op het Meer van Galilea Leven van Christus, print by Adriaen Collaert after a design by Maerten de Vos
A young boy, who would later be known as John the Baptist, brings in water to wash the wound, prefiguring his later baptism of Christ. An assistant of Joseph, who represents Jesus's future Apostles, observes these events. In the background of the painting various objects are used to further symbolize the theological significance of the subject.
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
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Jesus The Christ Pantocrator of Saint Catherine's Monastery at Mount Sinai, 6th century AD Born c. 6 to 4 BC [a] Herodian kingdom, Roman Empire Died AD 30 or 33 (aged 33 or 38) Jerusalem, Judaea, Roman Empire Cause of death Crucifixion [b] Known for Central figure of Christianity Major prophet in Islam and in Druze Faith Manifestation of God in BaháΚΌí Faith Parent(s) Mary, Joseph [c] Jesus ...
Christ Asleep during the Tempest is an oil on canvas painting by the French Romantic artist Eugène Delacroix, executed c. 1853. [1] The painting is now in the Metropolitan Museum of Art in New York City. [2] [3] Delacroix painted at least six versions of the biblical story of Christ sleeping during a storm while on the Sea of Galilee.
Art critic Friedrich Pecht wrote that Liebermann's treatment of the biblical narrative was purely humorous and without religious reverence – a witty child who makes fun of a few old people. In his view, Liebermann portrayed Jesus as "the ugliest, snobby Jewish boy imaginable" and the rabbis as a "pack of the sleakiest haggling Jews". [9]
John Rupert Martin writes that Jesus' patience represents "filial obedience and the acceptance of his destiny as martyr". [4] This painting, created ca. 1642, [1] is one of several tenebrist paintings by La Tour. Others include The Education of the Virgin, the Penitent Magdalene, and The Dream of Saint Joseph. In all these works, a single ...