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Enjambment has a long history in poetry. Homer used the technique, and it is the norm for alliterative verse where rhyme is unknown. [9] In the 32nd Psalm of the Hebrew Bible enjambment is unusually conspicuous. [10] It was used extensively in England by Elizabethan poets for dramatic and narrative verses, before giving way to closed couplets.
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation. Epigraph : a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem.
Blank verse is poetry written with regular metrical but unrhymed lines, usually in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", [ 1 ] and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse".
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song.It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
Line breaks may occur mid-clause, creating enjambment, a term that literally means 'to straddle'. Enjambment "tend[s] to increase the pace of the poem", [5] whereas end-stopped lines, which are lines that break on caesuras (thought-pauses [6] often represented by ellipsis), emphasize these silences and slow the poem down. [5]
This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself.
The Miltonic verse (also Miltonic epic or Miltonic blank verse) was a highly influential poetic style and structure popularized by John Milton. Although Milton wrote earlier poetry, his influence is largely grounded in his later poems: Paradise Lost, Paradise Regained, and Samson Agonistes.