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[citation needed] Thus the Neupert firm still offers its mid-century "Bach" model for sale, defending it explicitly on the grounds of its suitability for 20th-century music. [3] The transition of harpsichord building toward historicist principles is covered in detail by Hubbard (1965), Zuckermann (1969), and Kottick (2003), cited below.
John Challis (1907–1974) was an American builder of harpsichords and clavichords, at one time the only such maker of harpsichords in the United States. His father Charles was a jeweler and watchmaker who moved his family from South Lyon, Michigan to Ypsilanti, Michigan in 1919.
At the University of Chicago, Williamson met Philip Manuel (1893–1959) and the two developed an interest in harpsichord as a concert instrument. At this time in the 1920s, there were fewer than 50 harpsichords in the United States, most located in museums. [ 1 ]
Pleyel et Cie. ("Pleyel and Company") is a French piano manufacturing firm founded by the composer Ignace Pleyel in 1807. [2] In 1815, Pleyel's son Camille joined him as a business partner. The firm provided pianos to Frédéric Chopin , [ 3 ] who considered Pleyel pianos to be "non plus ultra". [ 4 ]
Oscar Schmidt was a musical instrument manufacturing company established in 1871. During its long existence, Oscar Schmidt has produced a wide range of string instruments, not only guitars but also numerous models of parlour instruments such as autoharps, celtic harps, guitar zithers, the "guitarophone" (a zither/metal-disc playing hybrid), [3] marxophones [4] and bowed psalteries (or "ukelins").
Trevor Pinnock at the harpsichord. A harpsichordist is a person who plays the harpsichord. Harpsichordists may play as soloists, as accompanists, as chamber musicians, or as members of an orchestra, or some combination of these roles. Solo harpsichordists may play unaccompanied sonatas for harpsichord or concertos accompanied by orchestra.
Keith Richard Hill (born 8 May 1948) is a prize winning [1] American maker of musical instruments [2] [3] He has conducted research into the acoustical technology employed by musical instrument makers from 1550–1850, and used this knowledge to create hundreds of harpsichords, clavichords and other instruments. [4] [5] [6]
Alastair McAllister (born Mildura, 3 August 1942) is an Australian harpsichord builder known for his historical integrity, design and workmanship, and for producing modern copies of instruments that closely match their prototypes in sound and touch. At the age of 15, he became inspired by the Baroque after hearing the music of Domenico ...