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Non-photo blue (or non-repro blue) is a common tool in the graphic design and print industry, [1] [2] being a particular shade of blue that cannot be detected by graphic arts camera film. This allows layout editors to write notes to the printer on the print flat (the image that is to be photographed and sent to print) which will not show in the ...
For example, to print a white character with a black background, a color attribute of 0F hex would be used. The high four bits are set to 0000 bin, representing the background color, black. The low 4 bits, 1111 bin, represent the foreground color, white. The highest bit of the color attribute, which is also the highest bit of the background ...
To reproduce color, the CMYK color model codes for absorbing light rather than emitting it (as is assumed by RGB). The K component ideally absorbs all wavelengths and is therefore achromatic. The cyan, magenta, and yellow components are used for color reproduction and they may be viewed as the inverse of RGB: Cyan absorbs red, magenta absorbs ...
For example, traditional "Painter's Colors" use red, blue, and yellow as the primary colors, "Printer's Colors" use cyan, yellow, and magenta, and "Light Colors" use red, green, and blue. [1] "Light colors", more formally known as additive colors, are formed by combining red, green, and blue light. This article refers to additive colors and ...
Red: 2 Orange: 3 Yellow: 4 Green: 5 Blue: 6 Violet: 7 Grey: 8 White: 9 Gold: ±5% Silver: ±10% None: ±20% The first letter of the color code is matched by order of ...
Download QR code; Print/export ... X11 color W3C color Hex Red Green Blue Sample Sample Hex Red Green Blue Gray: ... Light Blue 195° ...
The most noticeable result of using light cyan and light magenta inks is the removal of a distinct and harsh dither dot appearance in prints that use light shades of cyan or magenta produced with only the CMYK inks. Usually when printing a dark color the printer will saturate an area with colored ink dots, and conversely, for a light color it ...
The Atari ST series has a digital-to-analog converter of 3-bits, eight levels per RGB channel, featuring a 9-bit RGB palette (512 colors).Depending on the (proprietary) monitor type attached, it displays one of the 320×200, 16-colors and 640×200, 4-colors modes with the color monitor, or the high resolution 640×400 black and white mode with the monochrome monitor.