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Un sospiro consists of a flowing background superimposed by a simple melody written in the third staff. This third staff—an additional treble staff—is written with the direction to the performer that notes with the stem up are for the right hand and notes with the stem down are for the left hand.
The effect had been prefigured by composers including Francesco Pollini (1762–1846), a pupil of Mozart, whose 32 esercizi for the piano (1829), based on techniques found in the keyboard music of Johann Sebastian Bach and Jean-Philippe Rameau, included music written on three staves, and using interlocking hand positions, to generate the impression of three, or even four, hands.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Dolcissimo sospiro (Annibale Pocaterra) Donna, se m'ancidente (six voices) Languisco e moro, ahi, cruda; Meraviglia d'Amore; Non t'amo, o voce ingrata; Se piange, aime, la donna del mio core; Se vi miro pietosa; Voi volete ch'io mora (Guarini) Sospirava il mio core; Veggio sí, dal mio sole
A typical five-line staff. In Western musical notation, the staff [1] [2] (UK also stave; [3] plural: staffs or staves), [1] also occasionally referred to as a pentagram, [4] [5] [6] is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, different percussion instruments.
Elgar originally intended it for violin and piano, as a companion piece to Salut d'Amour and had in mind the title Soupir d'Amour (French for "Sigh of Love"). While composing it he realised that he was writing something more intense, and so chose an Italian word, sospiri , meaning "sighs".
"Que c'est triste Venise" (literal English translation: "How Sad Venice Is") is a song written by Armenian-French artist Charles Aznavour and Françoise Dorin [1] and sung by Aznavour about Venice.
In colloquial French, un apéritif is usually shortened to un apéro. appellation contrôlée supervised use of a name. For the conventional use of the term, see Appellation d'origine contrôlée appetence 1. A natural craving or desire 2. An attraction or affinity; From French word "Appétence", derived from "Appétit" (Appetite). après moi ...