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The largest part of the book, The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm Caused by the Child Slave Rebellion, follows the adventures of the daughters of Robert Vivian, seven princesses of the Christian nation of Abbieannia who assist a daring rebellion against the child ...
An obscure janitor during his life, Henry Darger is known for the posthumous discovery of his elaborate 15,145-page fantasy manuscript entitled The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, along with several hundred watercolor paintings, collages and other drawings illustrating the story.
"The Realm of the Unreal" is a short story by American Civil War soldier, wit, and writer Ambrose Bierce. It appeared in The San Francisco Examiner on July 20, 1890 and was reprinted in the 1893 collection Can Such Things Be? [1] The story elaborates the idea of "the realm of the unreal" introduced by Bierce in the 1879 story My Shipwreck.
This is the incredible Kay Pike. Using only body paint and paint brushes, the ever so talented Kay can magically transform herself into any superhero or villain in the (comic) book.
Body painting that is limited to the face is known as face painting. Body painting is also referred to as (a form of) "temporary tattoo". Large scale or full-body painting is more commonly referred to as body painting, while smaller or more detailed work can sometimes be referred to as temporary tattoos.
File:FOR4 TSR9390 The Code of the Harpers.jpg; File:FOR8 TSR9491 Pages From the Mages.jpg; File:FOR9 TSR9492 Wizards and Rogues of the Realms.jpg; File:FR1ModuleCover.jpg; File:FR2 TSR9217 Moonshae.jpg; File:FR4 TSR9229 The Magister.jpg; File:FR6 TSR9235 Dreams of the Red Wizards.jpg; File:FR7 TSR9252 Hall of Heroes.jpg; File:FR8 TSR9262 Cities ...
Chimeras (sub-titled A Child’s Adventures in the Realms of the Unreal) is an album of contemporary classical music by American composer John Zorn featuring a 12 part piece inspired by Arnold Schoenberg's atonal composition "Pierrot Lunaire". [1] In 2010 the album was revised and re-recorded, with an additional "Postlude". [2]
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