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Generosity of Alexander is a neoclassical style, oil-on-canvas painting by the French artist Jérôme-Martin Langlois. [1] The painting was exhibited at the 1819 Paris Salon and won a first-prize medal. It is currently on display at the Musée des Augustins in Toulouse, France.
There is also sometimes a difficulty in identifying which scene is intended. The most common alternative example of military clemency descending from classical times was Alexander the Great's generous treatment of the family of the defeated Persian King Darius, best known from Veronese's painting in London. The scene of a victorious general ...
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Campaspe (/ k æ m ˈ p æ s p iː /; Greek: Καμπάσπη, Kampaspē), or Pancaste (/ p æ ŋ ˈ k æ s t iː /; Greek: Πανκάστη, Pankastē; also Pakate), [1] was a supposed mistress of Alexander the Great and a prominent citizen of Larissa in Thessaly. No Campaspe appears in the five major sources for the life of Alexander and the ...
The commentary, occupying over 200 pages, provides a detailed picture of how he saw Beowulf, sometimes taking several pages for a short passage of the poem, and giving his interpretation of difficult words or allusions by the poet. The commentary formed the basis of Tolkien's acclaimed 1936 lecture "Beowulf: The Monsters and the Critics". [1] [2]
Alexander Mosaic, showing the Battle of Issus, from the House of the Faun, Pompeii. The Companions (Greek: ἑταῖροι, Greek: [heˈtairoi̯], hetairoi) were the elite cavalry of the Macedonian army from the time of King Philip II of Macedon, achieving their greatest prestige under Alexander the Great, and regarded as the first or among the first shock cavalry used in Europe. [1]
It is in the Beowulf manuscript (also known as the Nowell Codex, London, British Library, Cotton Vitellius A. xv). [5] It is written in Late West Saxon [6] in a Mercian dialect. [7] Other than Beowulf and The Wonders of the East, the other works in this codex include: The Passion of St. Christopher, Alexander's Letter to Aristotle, and Judith.
Beowulf is considered an epic poem in that the main character is a hero who travels great distances to prove his strength at impossible odds against supernatural demons and beasts. The poem begins in medias res or simply, "in the middle of things", a characteristic of the epics of antiquity.