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Considered a classic of 20th-century literature, The Stranger has received critical acclaim for Camus's philosophical outlook, absurdism, syntactic structure, and existentialism (despite Camus's rejection of the label), particularly within its final chapter. [3] Le Monde ranked The Stranger as number one on its 100 Books of the 20th Century. [4]
Albert Camus (/ k æ ˈ m uː / [2] ka-MOO; French: [albɛʁ kamy] ⓘ; 7 November 1913 – 4 January 1960) was a French philosopher, author, dramatist, journalist, world federalist, [3] and political activist. He was the recipient of the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history.
These works of fiction cover the whole variety of existentialism, or absurdism, as Camus himself insisted his philosophical ideas be called. The clearest manifestation of the ideals of Camus can be found in the story "La Pierre qui pousse." This story features D'Arrast, who can be seen as a positive hero as opposed to Meursault in The Stranger. [4]
As with other works of Camus, "The Adulterous Woman" is set in Algeria but native Algerians play no significant part in the story. Marcel especially, displays disdain and distrust for the Arabs; neither he nor Janine have bothered to learn Arabic and whenever Marcel speaks to or about a native Algerian it is to express his disapproval.
Notebooks 1935–1942 (1963) is the first of three translated post-mortem editions of the notebooks of Albert Camus. It was translated and edited by Philip Thody, and published by Knopf, New York. The notebooks include aphorisms and other ideas relating to Camus' literary work, and examine themes such as humanism and revolt.
Camus sees Sisyphus as the absurd hero who lives life to the fullest, hates death, and is condemned to a meaningless task. [4] Camus presents Sisyphus's ceaseless and pointless toil as a metaphor for modern lives spent working at futile jobs in factories and offices. "The workman of today works every day in his life at the same tasks, and this ...
Camus was a friend of Sartre, until their falling-out, and wrote several works with existential themes including The Rebel, Summer in Algiers, The Myth of Sisyphus, and The Stranger, the latter being "considered—to what would have been Camus's irritation—the exemplary existentialist novel." [93] Camus, like many others, rejected the ...
The play "is a highly subjective presentation by Camus of the human condition as he saw it in the desperate circumstances of 1942-43". [2] It reflects several aspects of Camus's life: he had left Algeria, to which he was deeply attached, leaving his second wife and friends behind; he was depressed with tuberculosis; as well as living under ...