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[10] [11] Italy's classical legacy, however, is an important point of the country's identity, particularly opera; traditional operatic pieces remain a popular part of music and an integral component of national identity. The musical output of Italy remains characterized by "great diversity and creative independence (with) a rich variety of ...
It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance Sonu a ballu in Calabria, tammurriata in Campania, and pizzica in Salento. Tarantella is popular in Southern Italy, Greece and Malta. The term may appear as tarantello in a linguistically masculine ...
The modern understanding of Italian folk music has its roots in the growth of ethnomusicology in the 1940s and 1950s and in the resurgence of regionalism in Italy at the time. The Centro Nazionale di Studi di Musica Popolare (CNSMP), now part of the Accademia Nazionale di Santa Cecilia , was started in 1948 to study and archive the various ...
Italian popular music is musical output which is not usually considered academic or classical music but rather has its roots in the popular traditions, and it may be defined in two ways: it can either be defined in terms of the current geographical location of the Italian Republic with the exceptions of the Germanic South Tyrol and the eastern portion of Friuli-Venezia Giulia; alternatively ...
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Some may find classical music entertaining, while others prefer ambient music for relaxation. Cultural background can also shape an individual's perception and response to music stimuli. The concept of music and sleep, although applicable to the general population, needs to take into account these differences to tailor each individual's taste.
According to a 1969 report from SEDRIM (from Società per l'Esercizio dei Diritti di Riproduzione Meccanica), then Italian mechanical rights society, Italy was a singles-market with songs accounting 85.8 percent of total record sales in the country. A "top hit" single in Italy at that time was grouped between 500,000 and 700,000 copies. [1]