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Modern Maryland is home to many well-regarded music venues, including the Baltimore Symphony Orchestra and Baltimore Opera, and the Peabody Institute's Conservatory of Music. Baltimore, the largest city in the state, is home to many important local venues, such as the Red Room, a center for the local experimental music scene, and the house ...
American vocal soul group from Baltimore, Maryland founded in 1969 Wretched: Maryland-based doom metal band, consisting of Dave Sherman, Jeff Parsons, Dale Flood, John Koutsioukis, Cougin, Gus Baslika and Mike Phillips Wye Oak: Baltimore indie folk / folk-rock duo named in honor of the former state tree of Maryland Yukon
Professor at the Peabody Conservatory, nationally regarded music historian specializing in early American music, especially in Maryland. Performer and recording artist of colonial period music. [76] Hill, Kenny: Member of the Annapolis-based punk band The Hated, and the Spastic Rats, and founder of Vermin Scum, a local record label Hoeke, William
For individual musicians from Maryland, please see Category:Musicians from Maryland. Subcategories This category has the following 9 subcategories, out of 9 total.
Local music in Baltimore can be traced back to 1784, when concerts were advertised in the local press. These concert programs featured compositions by locals Alexander Reinagle and Raynor Taylor, as well as European composers like Frantisek Kotzwara, Ignaz Pleyel, Carl Ditters von Dittersdorf, Giovanni Battista Viotti and Johann Sebastian Bach. [1]
In modern Annapolis, three music venues are notable for blues and jazz, namely the King of France Tavern in the Maryland Inn and the Ebb Tide near the Chesapeake Bay Bridge. [18] The Maryland Hall for the Creative Arts is another major local venue, hosting numerous renowned performing groups throughout the year. It was founded in 1979. [19]
MMEA is a professional association for school music educators in the U.S. state of Maryland. The mission of the Maryland Music Educators Association is to provide enriched musical opportunities for students, encourage student participation in music, and improve the quality of music instruction. [1]
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